{"id":6408,"date":"2022-12-20T12:51:40","date_gmt":"2022-12-20T18:51:40","guid":{"rendered":"https:\/\/jacoboymariaangeles.com\/behind-a-mask-2022\/"},"modified":"2023-08-22T15:55:46","modified_gmt":"2023-08-22T21:55:46","slug":"behind-a-mask-2022","status":"publish","type":"page","link":"https:\/\/jacoboymariaangeles.com\/en\/behind-a-mask-2022\/","title":{"rendered":"Behind a mask 2022"},"content":{"rendered":"

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Behind a Mask<\/h1>\n

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Carnival comes as it does every year to San Mart\u00edn Tilcajete, a town renowned in Mexican folk art thanks to its copal wood carvings, decorated with unique designs and multicolored dyes. This passion for art has also led the community to preserve other expressions of culture, including a unique Easter carnival, where \u201cdevils\u201d are the main attraction. <\/span><\/p>\n

This project is conceived from thinking about the diversity of possibilities that arise in the person who experiences the carnival when oiling and masking. It is in the precise instant where humanity is replaced with an animal image, when the devils are transformed from anonymity, and they scream, run and hit freely.A masked man gives free rein to his most vital impulses. <\/span><\/p>\n

%22Detr\u00e1s de una M\u00e1scara%22 (Behind a Mask) is an example of how the workshop Jacobo y Mar\u00eda \u00c1ngeles has been enriching and disseminating this carnival for several years by recovering its vernacular elements, while at the same time incorporating its own aesthetic vision in which the masks stand out as the result of an anthropological, cultural and artistic process. <\/span><\/p>\n

This collection has been presented in different venues dedicated to preserving and promoting culture in the country, such as the National Museum of Anthropology and History in Mexico City, the San Pablo Cultural Center in Oaxaca and the Casa Montejo Museum in Merida. For the year 2022, it is expected to travel to the Casa del Mayorazgo de la Canal in San Miguel de Allende, Guanajuato, the Centro de Textiles del Mundo Maya in San Crist\u00f3bal de las Casas, Chiapas, and the Palacio del Conde del Valle de S\u00fachil in Durango, Durango. <\/span><\/p>\n

” content_phone=”<\/p>\n

Carnival comes as it does every year to San Mart\u00edn Tilcajete, a town renowned in Mexican folk art thanks to its copal wood carvings, decorated with unique designs and multicolored dyes. This passion for art has also led the community to preserve other expressions of culture, including a unique Easter carnival, where \u201cdevils\u201d are the main attraction. <\/span><\/p>\n

This project is conceived from thinking about the diversity of possibilities that arise in the person who experiences the carnival when oiling and masking. It is in the precise instant where humanity is replaced with an animal image, when the devils are transformed from anonymity, and they scream, run and hit freely.A masked man gives free rein to his most vital impulses. <\/span><\/p>\n

%22Detr\u00e1s de una M\u00e1scara%22 (Behind a Mask) is an example of how the workshop Jacobo y Mar\u00eda \u00c1ngeles has been enriching and disseminating this carnival for several years by recovering its vernacular elements, while at the same time incorporating its own aesthetic vision in which the masks stand out as the result of an anthropological, cultural and artistic process. <\/span><\/p>\n

This collection has been presented in different venues dedicated to preserving and promoting culture in the country, such as the National Museum of Anthropology and History in Mexico City, the San Pablo Cultural Center in Oaxaca and the Casa Montejo Museum in Merida. For the year 2022, it is expected to travel to the Casa del Mayorazgo de la Canal in San Miguel de Allende, Guanajuato, the Centro de Textiles del Mundo Maya in San Crist\u00f3bal de las Casas, Chiapas, and the Palacio del Conde del Valle de S\u00fachil in Durango, Durango. <\/span><\/p>\n

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Carnival comes as it does every year to San Mart\u00edn Tilcajete, a town renowned in Mexican folk art thanks to its copal wood carvings, decorated with unique designs and multicolored dyes. This passion for the art has also caused the preservation of other expressions of culture in the community, among them a unique Easter carnival,
where the devils are the main attraction.<\/p>\n

This project comes from the diversity of thoughts that arise in the person who experiences the carnival by oiling up, masking and going out to the streets. In this moment human essence is replaced with the image of an animal. Devils appear in the anonymity of the person, to scream, run and hit with freedom. A masked man gives free rein to his most vital impulses, showing off in a performative act where the sun enhances the satin black on its skin.<\/p>\n

“Behind a mask” shows that Jacobo amd Mar\u00eda \u00c1ngeles Workshop has been enhancing and promoting this carnival for several years recovering its vernacular elements and incorporating its own aesthetic, which stands out in the production of masks
that are the result of an anthropological, cultural and artistic process.<\/p>\n

This collection has been presented in different venues dedicated to the preservation and promotion of culture such as: Centro Cultural San Pablo in Oaxaca, and across the country, thanks to the efforts of Fomento Cultural CitiBanamex as a main promoter of this exhibition, in the National Museum of Anthropology and History in Mexico City, Casa Montejo Museum in Merida, and Casa del Mayorazgo de la Canal in San Miguel de Allende, Guanajuato.<\/p>\n

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\u201cThey gleam in the hot midday sun. In the streets they shine blue or reddish red. Like masters of the world, they shout, run, jump, and jostle. It is whispered that something is hidden under the masks. The townspeople barely hear them and come out to look at them, soon the exclamations are heard: What beautiful devils!\u201d
Cuauht\u00e9moc Pe\u00f1a, 2019<\/h3>\n

” content_phone=”<\/p>\n

\u201cThey gleam in the hot midday sun. In the streets they shine blue or reddish red. Like masters of the world, they shout, run, jump, and jostle. It is whispered that something is hidden under the masks. The townspeople barely hear them and come out to look at them, soon the exclamations are heard: What beautiful devils!\u201d
Cuauht\u00e9moc Pe\u00f1a, 2019<\/h3>\n

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\u201cThey gleam in the hot midday sun. In the streets they shine blue or reddish red. Like masters of the world, they shout, run, jump, and jostle. It is whispered that something is hidden under the masks. The townspeople barely hear them and come out to look at them, soon the exclamations are heard: What beautiful devils!\u201d
Cuauht\u00e9moc Pe\u00f1a, 2019<\/h3>\n

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VISIT US<\/p>\n

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Cjon. del Olvido 9, 71506
San Mart\u00edn Tilcajete, Oax.
951 524 90 27 ext.4<\/p>\n

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OPENING HOURS<\/p>\n

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Monday – Sunday
8:00 am – 6:00 pm
We open the 365 days of the year<\/p>\n

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Copyright\u00a9 2021 Jacobo y Maria Angeles. All rights reserved Frequently Asked Questions<\/a><\/span><\/p>\n

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Copyright\u00a9 2021 Jacobo y Maria Angeles. All rights reserved Frequently Asked Questions<\/span><\/a><\/span><\/p>\n

” content_phone=”<\/p>\n

Copyright\u00a9 2021 Jacobo y Maria Angeles.
All rights reserved
Frequently Questions<\/span><\/a>
Privacy<\/span><\/a><\/span><\/p>\n

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Copyright\u00a9 2021 Jacobo y Maria Angeles. All rights reserved Frequently Asked Questions<\/span><\/a><\/span><\/p>\n

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\"Whatsapp\"<\/a> \"Instagram\"<\/a>\"Facebook\"<\/a>\"YouTube\"<\/a><\/div>\n

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Privacy<\/span><\/a><\/span><\/p>\n

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Behind a MaskCarnival comes as it does every year to San Mart\u00edn Tilcajete, a town renowned in Mexican folk art thanks to its copal wood carvings, decorated with unique designs and multicolored dyes. This passion for the art has also caused the preservation of other expressions of culture in the community, among them a unique […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-6408","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jacoboymariaangeles.com\/en\/wp-json\/wp\/v2\/pages\/6408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jacoboymariaangeles.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jacoboymariaangeles.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jacoboymariaangeles.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jacoboymariaangeles.com\/en\/wp-json\/wp\/v2\/comments?post=6408"}],"version-history":[{"count":18,"href":"https:\/\/jacoboymariaangeles.com\/en\/wp-json\/wp\/v2\/pages\/6408\/revisions"}],"predecessor-version":[{"id":9837,"href":"https:\/\/jacoboymariaangeles.com\/en\/wp-json\/wp\/v2\/pages\/6408\/revisions\/9837"}],"wp:attachment":[{"href":"https:\/\/jacoboymariaangeles.com\/en\/wp-json\/wp\/v2\/media?parent=6408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}